Slavic Mythology
In these works, the forest is not a backdrop but a living entity inhabited by rusalki, zmije, ancient goddesses, and beings who watch over water, earth, and night.
Figures emerge from the landscape like echoes of forgotten beliefs — their bodies infused with the colors of moss, dampness, and dusk.
Color guides the viewer through a world where beauty and dread coexist in natural balance, without clear divisions between good and evil.
Witches, nymphs, and forest spirits are not fantasies here, but a symbolic language through which nature speaks to humanity.
Each canvas feels like a fragment of a lost tale, where the sacred hides in tree roots, in water, and in human intuition.
Light appears as a revelation — not blinding, but guiding, unveiling successive layers of myth.
The image does not impose a narrative, but invites the viewer to immerse themselves in the atmosphere of primal spirituality.
Gallery
1. Concept & discussion
Everything begins with a meeting or conversation with the client.
It’s the moment when the artist listens closely to the emotions, symbolism, and intention behind the request.
It’s not just about the topic itself (“I want a forest”), but about the meaning — what that forest is meant to tell.
At this stage, the following take shape:
a description of the vision (verbal or symbolic),
a decision about the format and technique,
inspirations (photos, texts, emotions, myth, memory).
2. Concept sketch
The artist creates 2–3 concept sketches (digital or pencil) to show the composition and mood.
The client chooses one direction, or optionally combines elements from several proposals.
This is the stage where the following are defined:
the dominant color palette,
the symbolism (whether figures, elements, or mythological motifs will appear),
the overall rhythm of the painting.
3. Preparing the Surface and Palette
Once the concept is approved, the artist prepares the canvas, primer, color palette, and test color combinations.
They often also create a “light map” — an internal sketch of the directions of energy and emotion within the painting.
This is a stage of technical and spiritual calibration before the actual painting begins.
4. Painting
The first layers are about building mood, not details.
The artist paints through emotion, often listening to music or following the rhythm of their breath.
This is where the atmosphere is born — mist, shadow, light, the main color.
The client may (if they wish) see an initial photo and share their impressions, but without interfering in the creative process.
5. Narrative layers
Once the mood is set, the content begins to appear — a figure, a symbol, a gesture, the relationship between forms.
The artist enters into a dialogue between the client’s vision and their own intuition.
This is the moment when the painting begins to “come alive,” and its meaning becomes multi-layered.
6. Final touches and signature
The final brushstrokes are about calming the composition and giving it rhythm and harmony.
The artist adds their signature — a mark of authenticity, but also a seal of energy.
Once the work is dry, it is varnished and prepared for presentation.
Najczęściej zadawane pytania
Jak mogę odebrać obraz?
Możliwe jest zamówienie obrazu z wysyłką lub zamówienie z odbiorem osobistym w Toruniu.
Jak mogę zamówić Twój obraz?
Zamówienie można złożyć bezpośrednio przez formularz na stronie, stronę na Facebooku, mailowo oraz Allegro.
Czy mogę wybrać kopię obrazu w innym rozmiarze?
Tak, wystarczy zaznaczyć w zamówieniu wymiary obrazu, a ja wykonam reprodukcję w wybranym przez Ciebie rozmiarze.
Mam zdjęcie, które chciał_bym zamienić w obraz. Czy możesz to wykonać?
Tak, wykonuję obrazy na podstawie zdjęć. Wystarczy wysłać zdjęcie drogą elektroniczną lub tradycyjną (w dobrej jakości).
